Posts Tagged ‘Rock N Roll’

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Thoughts on The Voice: Audition Round 5

February 27, 2012

Image from &y at Flickr, used under Creative Commons

Alright people, I think the coaches have fewer than 10 picks to make, so hopefully they can wrap this up and we can get to the much more fun and very probably rigged battle rounds.

Contestants’ Notes

-Whitney Myer is giving off that Nikka Costa vibe, and it’s not because of just her curly red hair. It’s also that light, uptempo, janky R&B. She’s doing “No One,” which I think was originally by Alicia Keyes, and I quite light this bouncy rendition. She earns turns from all four coaches. Whitney goes with Adam, whose experience fusing pop-rock and R&B might help develop her overall brand with minimal genre clash. What a good start to the show!

-David Boreanaz lookalike David Dunn goes the lite-rock route on “The Man Who Can’t Be Moved.” When I heard the first few notes of this song, I thought this was going to be another jerk with an acoustic guitar, but I saw him with just a mic, which was a relief. David tried to make the bleh song lively with some walking around the stage, but he just didn’t have the emotion or charisma in his voice (and he just blew that falsetto section.) No turns for you!

-The Shields Brothers seem like some kind of rock n roll Coreys. At least their dual-tenor duet of “Dancing With Myself” is different than the usual schtick duo acts pull. Nonetheless, they have the same problem most of the duos on this show have – neither one of them is a very good singer individually. They skate by on their uptempo style and their harmonizing. They end up on Team Cee Lo.

-I must compliment Cheesa for taking on Beyonce, especially on the midtempo clunker “If I Were A Boy.” She starts off sounding way, way, way too low for her range at the start, but she pulls out the stops for the big, soaring chorus and knocks out most of the notes. I didn’t care for the performance because it felt like so much oversinging. Still, I respect her vocal prowess and she definitely has the charisma worthy of a Beyonce song. She gets a turn from Cee Lo.

-I think Preston Shannon could have used a sparser arrangement for “In The Midnight Hour.” singing was rough and solid, but it couldn’t quite stand out against the big, clean arrangement of the house band. While Preston seems to come from a blues background, he kept the soloing to the beginning and end. He was good on the axe, but it’s called The Voice, not The Guitarist. It’s too bad, and I hope this guy finds a good avenue for his art.

-OK, so the alliterative Lex Land lands two turns (Adam and Cee Lo) within the first 8 notes of the song, but damn she is undersinging the hell out “I Can’t Make You Love Me.” I heard serious mush mouth problems in her singing and the dulcet, plinky music didn’t help al all. Maybe if she did something with more menace and smokiness (Portishead, Goldfrapp, early-2000s Moby, etc.) she would have come across better. Then again I just want trip-hop to make a comeback. Eh, maybe Blake can help bring out her inner torch singer.

-Cameron Novack starts out strong, doing a weird Savage Garden-esque soft sell of Alanis Morissette’s “You Oughta Know.” Then he gets bogged down in the flow of the build up to the chorus (back off the freestyling, dude.) He then shifts to oversinging the chorus. Overall Cameron’s performance wasn’t too bad, but his abrupt shift in delivery style for each part of the song might have been too jarring. If he stuck to the restrained pop style or even charged in with aggressive oversinging I feel like he could have done better. Also, letting the coaches “cheat” and pick him after the turn would have set the worst precedent for the show, because then every hot contestant who walked up onstage would have a second shot, and that would be shitteous!

-At the start, Orlando Napier comes across as a low-key guy with a piano (which is still better than an acoustic guitar.) He got away from that once he got up from the piano, but he failed to win me over. The John Mayer song choice and Randy Newman singing style was a bad combination. Also…ENUNCIATE! Adam picks him has his final team member.

-Lee Koch has guts for taking on Bob Dylan’s “Like a Rolling Stone,” which karaoke connoisseur Brian Rafferty called one of the worst songs to sing since the verses are so rambling and weird against the familiar chorus. Lee is trying his best with the material and doesn’t flub any of the lines, but he just could not hit those “how does it FEEL” lines in the chorus. He earned a turn from Christina through his harmonica playing, which in my opinion is a bad sign. I don’t like when competitive singers use instruments as crutches. It feels like cheating. I predict that he’ll get eaten alive in the battle rounds.

-WADE (is the all-capitalization really necessary?) tries something kind of cool with a warm Stax-ed out soul rendition of “Rehab.” Vocally WADE (and that’s the last time I’m all-caps-ing that) has bursts of greatness, especially in the verses, though he hit some rough spots in the other parts. He just needs a little practice. Otherwise he’s a good combination of traditionalism and risk-taking. Cee Lo should be able to work his voice out, as Wade becomes his concluding pick.

-Adley Stump takes on Carrie Underwood’s “Last Name” (uh-oh) and it’s a bit of a wreck. She wasn’t bad, just mediocre. You could walk into any karaoke bar, and someone singing that song would sound just as good. Frankly the performance felt like so much mediocre singing except for those few belts (which I concede gave me chills.) She really couldn’t sustain her run and stick the landing. Predictably, she heads for Team Blake, and I think he’ll have more faith in her. Maybe he’ll coach her on fashion as well (go-go boots, star bandana, and Victoria Jackson hair?) She is the last pick of Team Blake.

We get a brief montage of failed singers (the Beta lady who sang Jason DeRulo sounded kind of interesting to me.) Also, Danny Devito sings “Three Times A Lady” during a Lorax crossover commercial skit. I was just wishing he’d sing “Troll Toll” from The Nightman Cometh. Then….

-Sera Hill pulls out every trick in the traditional R&B singer book – up and down runs, extended holds, power belting – and she kills every one. I thought her song choice was super slow and boring (and way too Idol) but damn she was good! She was a pro doing her thing, and that’s just wonderful. She becomes the final pick of the show as the last contestant to join team Xtina.

And now a summary of tonight’s winners, in the order they were announced:
-Mark Ronson should pay attention
-“I can’t tell Corey Feldman from Corey Haim.
-Charisma without the power
-Will Beth Gibbons come on as a mentor?
-Bad meets icky
-Karaoke cannon fodder
-Tradition meets risk
-A lot of people could do that
-She could have a good run on Idol

And there we have it! We have our Top (shudder) 48! Tune in next week for the theatrical battle rounds and tune in tomorrow for the start of my recapping of American Idol’s Live Top 25 rounds. SO MUCH SINGING!!!

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Thoughts on The Voice: Audition Round 3

February 18, 2012

Image from Gwen Harlow on Flickr. Used under Creative Commons.

I apologize for the late posting. Thank heaven for Hulu. At the same time, I am itchy to start the real competition and get past this expanded audition round. It’s still less of a pain than Idol’s audition rounds, but the show would do well not to pad it out so much. Let’s lock this up!

Coaches’ Notes

-It’s interesting to see the coaches taking potshots at each other’s commercial success, track records on the show, and personal behaviors. I just like seeing these people in power come off their high horses and argue a little. It humanizes them. Props to Christina for telling Blake “fuck you.” By contrast, being an Idol judge seems like one of the cushiest in the world. All you need to succeed as a judge on that show is a catchphrase and a willingness to hit on underage contestants.

-Speaking of which, stop hitting on contestants, Cee Lo! It’s creepy when Steven Tyler does it and it’s icky when you do it as well. “You belong to me, don’t you agree?” What kind of pitch is that, Cee Lo?

Contestants’ Notes

-We open the show with no information on Sarah Golden. Her story is one of music industry conservatism – “we’ll sign you, but only if you completely change everything about yourself,” – and it’s one I can get behind (cry for The Muggs.) Unfortunately, she opens with a fairly anemic rendition of Lady Gaga’s “You and I.” She’s trying hard, but her voice is too thin and strained against the deceptively slow and rich backing track (the house band’s crummy rendition isn’t helping.) It’s a problem that can be fixed with voice coaching and better song choices, so it’s good that she gets turns from Cee Lo and Blake, who couldn’t be more different in terms of their appraoches to the show. She picks Cee Lo, who isn’t the best stylistic match for her, but is more likely to keep her past the favoritism-mined battle rounds than conservative ol’ Blake.

-Elley Duhe does well to sing Duffy’s “Mercy.” She sings kind of thinly with lots of yelping, which is actually a good match for the song. She has a good sense of the song’s space, knowing when to throw in the ad libs and when to try for vocal acrobatics. However she can’t quite execute yet, and her end product is unremarkable compared to some of the other auditioners, so she gets no turns. Eh, she’s 19. She has time to keep at it.

-“House of the Rising Sun” is one of those slow songs singers pick in order to show off vocal pyrotechnics. Mono-monikered Pip takes advantage of the sparse opener to show off a decent vibrato. His inner theater kid has the bluesy emotion in the song down pat, but it’s making him go off-key in the main part of the song. I don’t like rooting for the under-21 set, but I was impressed by his showmanship and willingness to really sell the performance (and lack of an instrument.) Too many reality competition singers are about control and technical execution. I just hope his theatrics won’t overshadow his singing a la Idol’s James Durbin. He gets four turns, and could do ok with Adam.

-There’s no argument that Erin Willett has the R&B blaster power. She does impressive runs all over “I Want You Back,” so much so that she forgets to sing some of the lyrics. However, if that’s her biggest problem, she’s going to be ok. I like the lively belters in the Frenchie Davis mold. I was surprised that she got only one turn, and from Blake no less. Also, Erin is from Gaithersburg, MD, and as a fellow Montgomery County resident I’m happy to see her represent.

-David Grace charges into red state rock territory with “Sweet Home Alabama,” which initially seems to be a good match for his swaggering twang, but is ultimately too dynamic for his held notes and ad libbed wailing. I hate to come across as too conservative, but I feel that if he dialed it back he might have earned a turn or two. It turned into one of those performances where the judges are trying to bait each other into turning their chairs, which is good for a little awkward comedy.

-Katrina Parker’s steady alto earns a turn from Adam early on, but he looks so ashamed when he does it, his head down in his arms like a high school student falling asleep in calculus class. Frankly Katrina’s performance failed to impress me. Her Joan Osborne song choice was a little interesting, but her singing style was a little too unpolished and green. She needed to turn up the fun.

-I dont like when competition show singers go to the Motown back catalog too early, but Geoff McBride is old enough that he could appreciate “Higher Ground” when it first came out. Geoff nails the song, doing what feels like a lower-key Stevie Wonder impression with holds and vibrato in all the right places. I also appreciated Geoff’s confidence – he sang with what seemed like an effortless perfection that comes with plying one’s craft. He sounded like a pro just doing his thing and having tons of fun with it. When a performance makes me want to go buy the song in Rock Band and play it myself, the singer did a damn good job! Hopefully Christina can channel his experience in the right direction.

-Erin Martin’s voice falls somewhere on the Macy Gray-Bjork spectrum of rasp. I give her points for staking out a relatively unique position among the other contestants and for trying something different. For “Hey There Delilah,” she’s fully aware of the emotion in the song and seems just enough in control to stay in key. My only problem was that she sang certain words with a weird accent or pronunciation that put me off. Ultimately her singing was engaging, but sloppy, another problem that coaching can fix. Cee Lo’s voice is kind of thin too, and he would do well to take her reedy voice to new heights. He just needs to keep things a little more professional and not view her as some prize he deserves. Not cool, dude!

-One hazard of doing more recent pop songs in shows like this is that the original versions rely on vocal processing to make their singers sound good. Drake’s “Find Your Love” is no exception. James Massone finds a way around the problem by singing so high in his tenor range he’s almost an alto. The house bands punchy rendition helps too. James starts out strongly enough to earn three turns before his emotion gets the better of him and he totally falls apart. If he’s to have a future on the show, he will have to learn to finish what he starts.

-Winter Rae sings Rihanna’s “Take A Bow,” which in my opinion is kind of a boring song to begin with. She hits all the right notes, but lacked a wow factor. I hate to say it, but in a sparse, plodding song like this she really needed to pull off the diva moves like an early-2000s Idol success. ZZZZZZZZZZZ….

-Chris Cauley kicks out a toned down bluesy rendition of Bruno Mars’s “Grenade.” He sounded pleasant and I give him props for taking a belty, violent song into a more restrained territory. Chris is competent at best, but I hope that he will continue to take done-to-death songs in different directions.

-Nathan Parrett’s clip goes by fast, and maybe that’s because they 5 seconds I heard sounded like Chris Isaak-lite: deep but a little scratchy, like the awkward teen on The Simpsons. It still earns him a pick from Adam.

-The same thing happens to Brian Fuente, who seemed to have enough raw rocker power in him to earn a turn from Blake. I can’t help but feeling that if the show focused less on some of the contestants’ backstories and more on singing, these guys would have come across better. I predict that they’ll end up as cannon fodder in the battle rounds.

-I was wondering when shows like this would seriously consider rappers as contestants. Christina picks Moses Stone, who does an off-beat, out of breath rendition of the Black Eyed Peas “Let’s Get It Started.” She makes a good point about his delivery, though, so maybe if he calms down a little he can combine delivery with flow to attack with Busta Rhymes-like precision. I give the show points for experimenting, but couldn’t they have found a better rapper?

-Jordis Unga does “Maybe I’m Amazed” and she sounds like she’s aiming for the cheap seats. I appreciate her enthusiasm, but I wish she would learn breath control. She came up short a little, but she pounded her way through another otherwise done-to-death song. She put some effort into the deal, and while she was bleaty I can hear her potential.

Let’s summarize today’s picks, in order of selection:
-Victim of conservatism and trying too hard
-A likeable theater kid?
-Another lively belter + MoCo represent!
-Not trying hard enough
-Soul power pro
-Reedy and raspy make a comeback
-Alto beats Autotune
-Originally bland
-Bass section cannon fodder
-Rock N Roll cannon fodder
-Finally, a rapper! or This is the best rapper they could come up with?
-So much Sound and Fury

Tune in next week for thoughts on…(looks at Voice site)…more auditions? Since each coach has picked only 6 or 7 contestants, we have a ways to go….