Posts Tagged ‘R&B’

h1

Thoughts On American Idol: Top 13

March 7, 2012

Image edited from original by Mil on Flickr, used under Creative Commons

Theme: The men sing the songs of Stevie Wonder. The women sing the songs of Whitney Houston. We got gender policing and a death cash-in, baby! Bottom vote getter in each gender is up for elimination, which the judges decide. It kind of reminds of the elimination system on So You Think You Can Dance.

Mentors: The punchable Jimmy Iovine, and Mary J. Blige, who’s all right.

Here are the Top 13 performers in order of appearance on the show

1. Josh Ledet – “I Wish” Wikki wiki Wild Wild West! Gospel boy has to do something upbeat? This could be interesting. To his credit, he really gets into the material and his consistent belting matches the bombastic backing track nicely. And other people might ding him for this, but I appreciated his spastic dancing around the stage, particularly near the horn section. Also props for the James Brown/Axl Rose on-key screech finish. I wish Jacob Lusk was this upbeat last season. Nice start, dude!

2. Elise Testone – “I’m Your Baby Tonight” Alright, another upbeat song! This is actually one of my favorite Whitney songs and its brassy, sexy tone is a good fit for Elise. She flubs the lyrics early on, but quickly finds her footing. Her voice was smoky and gravelly, but her singing was on key and on point. I also give Elise points for really getting into the emotion of the song. The judges did have a point that she could have taken things down a notch, but I didn’t hate this performance.

3. Jermaine Jones – “Knocks Me Off My Feet” Vocally Jermaine is killing it up there. He stays in his range and manages to pull off a few nice runs and holds without overdoing things. What I think he could do better on is really connecting with the emotional vulnerability in the song. I want to feel the lovesickness in the piece and I wasn’t feeling it. Despite the slower tempo of the song, Jermaine also kept things upbeat like a really good (albeit showy) karaoke performance.

4. Erika Van Pelt – “I Believe In You and Me” DJ EVP turns the Whitney showcase song into a power ballad. She does well to bring the song into something she would do otherwise. Still, Erika takes a few risks by doing the traditional diva vocal progression of starting really quiet and singing almost contralto and gradually building to a series of vocal acrobatics. She nailed all of them too. I love that flawless execution! Despite the rock flourishes, I still wasn’t feeling the song choice that much. I also (shudder) agree with the judges in that she could have maybe gone a little bigger and taken some more risks. She has the talent to take these kids to school.

5. Colton Dixon – “Lately” Sigh, another slow song. And what the hell is up with the tone of Colton’s voice? He’s so slurred! He wants to be going for Rufus Wainwright but he could be any lite-grunge singer from around 2002 (I’m thinking the guy from Lifehouse), plus that falsetto was total ass. I can pick up maybe one word out of every 10 off-key, whiney sounds this clown admits. Heaven help us all if he gets to peddle this shit on the radio. What a fucking mess!

6. Shannon Magrane – “I Have Nothing” Shannon sounds thin and buried in this performance, even with the anemic 1991 backing music. Her articulation is only slightly better than Colton’s and emotionally she’s only slightly more engaged than a preteen beauty pageant contestant. Even with those strikes against her she could have nailed the big notes. She did not nail the big notes. Nerves or not, that performance was underwhelming and sloppy. She can go back to her mansion.

7. DeAndre Brackensick – “Master Blaster” Mr. Falsetto kicks things into full on reggae territory that makes me remember how much Naima Adedapo got robbed last season. Nice choice, man. DeAndre kept things fun and bouncy. He was casual but committed in his animated dancing. He also used a slightly wider range of his voice and didn’t cower in the high notes like last week. He was still a little flat, but damn that was fun to watch!

8. Skylar Laine – “Where Do Broken Hearts Go?” What, she’s not singing “I Will Always Love You” (since Dolly Parton did it first?) Wow, I’m surprised. Anyways, Skylar still does a predictably country rendition of the song and while it’s not my favorite I commend her for injecting just enough twang to be genuine. She also did all the big vocal tricks, was on key, and used enough of the stage to convey just a smidge of emotion. The escalating notes at the end felt forced, but Skylar was poised and professional, which not every teen contestant can say.

9. Heejun Han – “All Is Fair In Love” Another slow, plaintive song from Heejun? Wow, I’m not surprised. Poor Heejun just couldn’t project, even against the fairly sparse arrangement. He was so quiet that I couldn’t understand what he was trying to convey. The performance felt so stiff and awkward. I expect that in a shoegaze show, but not in what I assume is a fairly faithful Stevie Wonder cover. Dude needs to get some distortion effects pedals and meet the guys from Sigur Ros, stat!

10. Hollie Cavanagh – “All The Man That I Need” This performance was an improvement for Hollie. She stayed in control of her voice through the performance and had way better diction than last week. Still, a supersize hold, impressive at it is, doesn’t quite cut it for me. I still can’t buy someone Hollie’s age singing the kinds of themes that were in this song. If she messed with the song like Skylar did, I might be tempted to cut her more slack. This performance was technically awesome but lacking in originality.

11. Jeremy Rosado – “Ribbon In The Sky” Jeremy’s singing was kind of messy tonight. I’d like to think that he was trying to get into the meaning of the song, but I don’t know what this is about. It can’t literally be about ribbons in the sky, right? In terms of song choice this was a bit of a snoozer, just like Heejun’s. At least Jermaine put a little upbeat fun with his tenderness. The performance sounded ok, but I would steer clear of it otherwise. This felt boring.

12. Jessica Sanchez – “I Will Always Love You” Ah shit! We all knew this song was coming, but it still hurts when it arrives. All Jessica can hope to do is perform well within the boundaries of the piece. She hits all the notes with the flair of a performer thrice her age, though she has vibrato so pronounced it might as well be coming from a helicopter. I feel conflicted, because fuck this was predictable, but also fuck this gave me chills. You know what sold it for me? When she gave a slight smile about 2/3rds into the song in the middle of a note run. That’s when all the pretense and cash-ins and claptrap faded away. She was happy. She was in sync with all the cathartic emotion in the song. She was GENUINE, and that’s such a rare thing on a show like this. Dammit, I’m tearing up as I’m typing this and I’m embarrassed.

13. Phillip Phillips – “Superstition” This song is fun to do, just because its bassline is so fucking hot and upbeat nature courses through it. Phil turned it into some snarled grungy bag of crap. His singing was off-note and forced, his emotion was totally inappropriate, and his music arrangement was tonally clashing like an amateur mashup. Just shave your head already!

And what would I have sung? Since I’m a guy, I have to sing Stevie, so I would have gone to one of my two favorite songs by him: “Higher Ground” and “Signed, Sealed, Delivered, I’m Yours.” Both tunes are pretty upbeat and fun, but I have to consider my extremely limited range. I suppose “Higher Ground” has a more gradual build in the verses and the chorus sounds good without a lot of strain. As for the arrangement I’m thinking of a sleek, distorted electronic background (think Goldfrapp circa 2002) with punchy blues shuffle drumming (like The Black Keys.) If I actually wanted to stay on the show, I would play it safe and do the Red Hot Chili Peppers’ version.

My Top 3 Performers
1. Jessica Sanchez
2. Josh Ledet
3. DeAndre Brackensick

My Bottom 3 Performers
1. Colton Dixon
2. Shannon Magraine
3. Phillip Phillips

So tonight we had by my count five clunkers, three mehs, four solids, and one huge fucking surprise (still dealing with a few residual tears here.) Honestly this was a pretty decent show. I just hope the judges don’t let the new elimination decision power go to their heads and take out one of my favorites.

Advertisements
h1

Thoughts on The Voice: Battle Rounds Part 1

March 6, 2012

Image edited from the original by me’nthedogs at Flickr

I apologize for the delay in this post. Things have been a little rough at my job and when I get home I’m not always in the mood to recap. Accordingly, I DVRed yesterday’s episode and am recapping it today. So the auditions are finally done. Let’s have a battle!

Guest Mentors:
Team Adam: Alanis Morissette and Robin Thicke (Canadians in the house!)
Team Blake: Kelly Clarkson (American Idol? REALITY SHOW DEFECTAH!) and Miranda Lambert (Awww and Nashville Star? REALITY SHOW DEFECTAH!)
Teem Cee Lo: Babyface and Ne-Yo
Team Xtina: Jewel (Platinum Hit and Nashville Star? REALITY SHOW DEFECTAH!) and Lionel Richie

Note: I’m happy to see that the boxing ring set is back. I also like the WWE walk-ons. If only the contestants got to do poorly written banter beforehand. [“Do ya smell what the RaeLynn’s cookin’?!’]

Team Adam: Tony Lucca vs. Chris Cauley – “Beautiful Day”
From a pure story perspective, Tony will likely win this battle because of his ex-Mickey Mouse Club story. This U2 smash could be a challenge because of the understated quality of the verses and the big sustained, yet muted belting in the chorus. Who will be more messianic?
These two guys start out eerily alike until Tony compacts into itself like he’s desperately trying to stifle a yawn at church and Chris starts to foolishly emote like he’s singing alone in the car. You have to be open and cathartic with a song like this. I can relate to that. It turns out he can hit his notes a lot better than Tony. Tony flubbed his opening notes and belted quite abrasively, erasing what goodwill I had for him going into this episode.
Winner: Tony (Boo! Also: Called it!)

Team Blake: Adley Stump vs. RaeLynn – “Free Fallin’”
Based on past choices, I predict Blake will pick RaeLynn because of her upbeat personality and overall green quality (basically a twangy Xenia.) To me this Tom Petty classic seems to be more about evoking imagery in the singing than pure vocal prowess. Hopefully these contestants won’t overdo it on the chorus.
RaeLynn comes out the gate way too hard and ends up sounding off-key and forcibly twangy. By contrast, Adley does a quiet-loud thing that reminds me of Melissa Ethridge. Her approach sounds more like some saloon torch ballad, which works for me. I give both contestants props for not overdoing it on the chorus, but they harmonize like ass.
Winner: RaeLynn (Boo! Also: Called it!)

Team Xtina: Chris Mann vs. Monique Benabou – “The Power of Love”
I wish these contestants were singing Huey Lewis and the News, but nope, it’s Celine Dion. This has “recital” written all over it. Brace yourself for a lot of vocal pyrotechnics. This could be close. Supertechnical Chris could court the lite pop Josh Groban demographic whereas Monique has the better “a raw beginner can be a winner” story, which might be more palatable to a TV producer. The montage had them on equal talent footing.
I think Monique sounded a little buried in the mix. That or her naturally softer voice fit better into the backing music. Chris’s tenor cut more into the mix, which got my attention but felt somewhat annoying. Technically both singers were spot on and did a really good job harmonizing with one another. My only criticism outside of not liking the song was that for a song about the power and passion one feels with a lover, both singers seemed to be more about selling the song than conveying true heart-bursting emotion. Eh, if you’re gonna oversing, oversing to Celine.
Winner: Chris (Yay! Monique was good too. She would have gotten a yay as well.)

Team Cee Lo: Cheesa vs. Angie Johnson – “Total Eclipse of the Heart”
Cheesa and Angie each have the raw power, but Angie has the devil-may-care sense of fun that might better endear her to Cee Lo. While this song is also a schlockly ballad mess, it has the built-in theatricality that can win over curmudgeons like me (Kathy and I have this song in Rock Band.) It’s also written as a duet, so these contestants will really have to play their parts.
In the slow build into, Cheesa has the clear advantage with the lower key, but as the song builds in its intensity Angie gradually comes into her element. This was another even match as neither contestant seemed to really waver, be it on the harmonizing, the power belting, and the emotional low intro. It’s a fight to the end.
Winner: Cheesa (OK! Cheesa really brought her A-Game to the song and deserved to win, but honestly I was rooting for Angie.)

Team Blake: Jordis Unga vs. Brian Fuente – “Ironic”
So we’re seeing a lot of slower, quiet-loud songs today. “Ironic” is a good song, but come on, can’t we do some INXS? Oh wait, then Jordis might be a little too familiar with the material. Seriously, I would like to see something more uptempo in the battle rounds. At least this Alanis hit has a great singalong quality. Nail those lyrics, kids!
Jordis kicks things off faithfully, then one line in gets bored and starts doing vocal runs just to get in Brian’s head. When his verse comes up, he tries to match Jordis’s power belting, but his range is too limited. On the chorus, Jordis sings herself into a corner, but it’s an energetic corner of goodness. Brian has a little more contour in his singing, but he can only do so well. This was another song that called for domination and Jordis conquered!
Winner: Jordis (Yay! Brian got maybe 5 seconds in the audition episodes. He was cannon fodder from the start. Also, Jordis tried a lot harder.)

Team Xtina: Anthony Evans vs. Jesse Campbell – “If I Ain’t Got You”
I’m tired of this song, and that’s entirely because of its overexposure back in ’03 and for its status as Idol audition staple. This song is slow and has lots of emotional belty parts over sparse accompaniment. I predict a lot of hard charging. I predict a Jesse win because he got 4 turns in 4 seconds back in the audition rounds. It would be hard to turn that kind of in-demand singer down. Who will make the dogs howl?
How do they differentiate? Anthony goes for the playful approach, with lots of cute hand motions and understated singing. Jesse goes for the professional power approach, with effortless belting that slashes through the music like a katana. Vocally Jesse was tops, as his voice was naturally more commanding. However, you had a sense that Anthony was trying a lot harder. When he came forward on the second chorus, holding onto that note like it was a life preserver, I could feel the conviction and that really resonated with me.
Winner: Jesse (Boo! I mean, yeah, he sang better, but it was singing with natural effort. Anthony sang well too and he tried way, way harder.)

So this wasn’t the best start for this round of the show. There were too many ballads and I was ok with maybe half of the winners. Still, with 36 contestants still up in the air a lot can happen.

h1

Thoughts On American Idol: Top 25 Results

March 2, 2012

Image from Mike Licht, Notionscapital.com via Flickr, used under Creative Commons

I apologize for the lateness of this post. Since Idol’s results shows will likely be on the same night as Project Runway, I will not be doing same-night recaps in order for Kathy to do hers at Plastic Runway. I’ll then do a quick hit on Friday. In my opinion, this is a good thing since it keeps out the padding, vamping, and tragically hokey Ford Music Videos, and points the focus straight at the results. I’ll still be doing the same-night performance show posts. Let’s break out the results!

Top 5 Men

1. Phillip Phillips – What a shocker! The guy who’s like the last four winners moves on to the next round. Verdict: Root Against

2. Heejun Han – He’s been disappointing musically but kinda cool offstage. I hope he develops better taste in music. Verdict: Hold

3. Josh Ledet – I think this gospel singer’s going to end up just like Jacob Lusk – awesome pipes wasted on boring R&B and Gospel numbers. Verdict: Hold

4. Colton Dixon – He doesn’t deserve to be on the show, his hair sucks, and his confidence in his abilities makes his histrionic performances extra unbearable. Verdict: Root Against

5. Jermaine Jones – While I haven’t been the biggest fan of his slower performances, at least this guy doesn’t overindulge in his singing. He also comes across really in this really unassuming way, so when he hits those super low notes it’s like “Boom! Bass attack!” Verdict: Root For

Top 5 Women

1. Jessica Sanchez – Well, she’s the only person of color among the women, which is reason enough to keep her on, but she did a pretty good job Wednesday night. She came off as mature and soulful, regardless of her age. Verdict: Root For

2. Hollie Cavanagh – One more blonde from the southern pageant factory. She’s too immature for this competition. Verdict: Root Against

3. Shannon Magrane – How dare this one-percenter bring her empty affirmations to the stage without the slightest bit of fun or menace. I spit on your inspiration-bait claptrap! Verdict: Root Against

4. Elise Testone – Decent talent in a package devoid of originality. Since her main rival got bumped off, maybe she’ll seem less cloying. Verdict: Hold

5. Skylar Laine – While she seems like what would happen if Lauren Alaina and Scotty McCreery got fused together in a nuclear meltdown, she gives a lot of effort and sings decently. She’ll be more about fun than Verdict: Hold

Wildcards, bitches!

1. Jeremy Rosado – I still think this teen is a mediocre performer, but he does have decent pipes and Kathy liked his song on Tuesday. Verdict: Hold

2. DeAndre Brackensick – Well, Eben the Lil Bieber is out of the game, so this guy must be this season’s cute teen boy. At least he’s more talented. He just needs to stop leaning on his falsetto like a crutch. Verdict: Hold

3. Erika Van Pelt – EVP has a lot of the qualities I look for in a contestant – good backstory, a nice sense of showmanship, decent singing talent, and above-average taste in music. If she be this season’s rock star, then rock on! Verdict: Root For

See you next week!

h1

Thoughts on The Voice: Audition Round 5

February 27, 2012

Image from &y at Flickr, used under Creative Commons

Alright people, I think the coaches have fewer than 10 picks to make, so hopefully they can wrap this up and we can get to the much more fun and very probably rigged battle rounds.

Contestants’ Notes

-Whitney Myer is giving off that Nikka Costa vibe, and it’s not because of just her curly red hair. It’s also that light, uptempo, janky R&B. She’s doing “No One,” which I think was originally by Alicia Keyes, and I quite light this bouncy rendition. She earns turns from all four coaches. Whitney goes with Adam, whose experience fusing pop-rock and R&B might help develop her overall brand with minimal genre clash. What a good start to the show!

-David Boreanaz lookalike David Dunn goes the lite-rock route on “The Man Who Can’t Be Moved.” When I heard the first few notes of this song, I thought this was going to be another jerk with an acoustic guitar, but I saw him with just a mic, which was a relief. David tried to make the bleh song lively with some walking around the stage, but he just didn’t have the emotion or charisma in his voice (and he just blew that falsetto section.) No turns for you!

-The Shields Brothers seem like some kind of rock n roll Coreys. At least their dual-tenor duet of “Dancing With Myself” is different than the usual schtick duo acts pull. Nonetheless, they have the same problem most of the duos on this show have – neither one of them is a very good singer individually. They skate by on their uptempo style and their harmonizing. They end up on Team Cee Lo.

-I must compliment Cheesa for taking on Beyonce, especially on the midtempo clunker “If I Were A Boy.” She starts off sounding way, way, way too low for her range at the start, but she pulls out the stops for the big, soaring chorus and knocks out most of the notes. I didn’t care for the performance because it felt like so much oversinging. Still, I respect her vocal prowess and she definitely has the charisma worthy of a Beyonce song. She gets a turn from Cee Lo.

-I think Preston Shannon could have used a sparser arrangement for “In The Midnight Hour.” singing was rough and solid, but it couldn’t quite stand out against the big, clean arrangement of the house band. While Preston seems to come from a blues background, he kept the soloing to the beginning and end. He was good on the axe, but it’s called The Voice, not The Guitarist. It’s too bad, and I hope this guy finds a good avenue for his art.

-OK, so the alliterative Lex Land lands two turns (Adam and Cee Lo) within the first 8 notes of the song, but damn she is undersinging the hell out “I Can’t Make You Love Me.” I heard serious mush mouth problems in her singing and the dulcet, plinky music didn’t help al all. Maybe if she did something with more menace and smokiness (Portishead, Goldfrapp, early-2000s Moby, etc.) she would have come across better. Then again I just want trip-hop to make a comeback. Eh, maybe Blake can help bring out her inner torch singer.

-Cameron Novack starts out strong, doing a weird Savage Garden-esque soft sell of Alanis Morissette’s “You Oughta Know.” Then he gets bogged down in the flow of the build up to the chorus (back off the freestyling, dude.) He then shifts to oversinging the chorus. Overall Cameron’s performance wasn’t too bad, but his abrupt shift in delivery style for each part of the song might have been too jarring. If he stuck to the restrained pop style or even charged in with aggressive oversinging I feel like he could have done better. Also, letting the coaches “cheat” and pick him after the turn would have set the worst precedent for the show, because then every hot contestant who walked up onstage would have a second shot, and that would be shitteous!

-At the start, Orlando Napier comes across as a low-key guy with a piano (which is still better than an acoustic guitar.) He got away from that once he got up from the piano, but he failed to win me over. The John Mayer song choice and Randy Newman singing style was a bad combination. Also…ENUNCIATE! Adam picks him has his final team member.

-Lee Koch has guts for taking on Bob Dylan’s “Like a Rolling Stone,” which karaoke connoisseur Brian Rafferty called one of the worst songs to sing since the verses are so rambling and weird against the familiar chorus. Lee is trying his best with the material and doesn’t flub any of the lines, but he just could not hit those “how does it FEEL” lines in the chorus. He earned a turn from Christina through his harmonica playing, which in my opinion is a bad sign. I don’t like when competitive singers use instruments as crutches. It feels like cheating. I predict that he’ll get eaten alive in the battle rounds.

-WADE (is the all-capitalization really necessary?) tries something kind of cool with a warm Stax-ed out soul rendition of “Rehab.” Vocally WADE (and that’s the last time I’m all-caps-ing that) has bursts of greatness, especially in the verses, though he hit some rough spots in the other parts. He just needs a little practice. Otherwise he’s a good combination of traditionalism and risk-taking. Cee Lo should be able to work his voice out, as Wade becomes his concluding pick.

-Adley Stump takes on Carrie Underwood’s “Last Name” (uh-oh) and it’s a bit of a wreck. She wasn’t bad, just mediocre. You could walk into any karaoke bar, and someone singing that song would sound just as good. Frankly the performance felt like so much mediocre singing except for those few belts (which I concede gave me chills.) She really couldn’t sustain her run and stick the landing. Predictably, she heads for Team Blake, and I think he’ll have more faith in her. Maybe he’ll coach her on fashion as well (go-go boots, star bandana, and Victoria Jackson hair?) She is the last pick of Team Blake.

We get a brief montage of failed singers (the Beta lady who sang Jason DeRulo sounded kind of interesting to me.) Also, Danny Devito sings “Three Times A Lady” during a Lorax crossover commercial skit. I was just wishing he’d sing “Troll Toll” from The Nightman Cometh. Then….

-Sera Hill pulls out every trick in the traditional R&B singer book – up and down runs, extended holds, power belting – and she kills every one. I thought her song choice was super slow and boring (and way too Idol) but damn she was good! She was a pro doing her thing, and that’s just wonderful. She becomes the final pick of the show as the last contestant to join team Xtina.

And now a summary of tonight’s winners, in the order they were announced:
-Mark Ronson should pay attention
-“I can’t tell Corey Feldman from Corey Haim.
-Charisma without the power
-Will Beth Gibbons come on as a mentor?
-Bad meets icky
-Karaoke cannon fodder
-Tradition meets risk
-A lot of people could do that
-She could have a good run on Idol

And there we have it! We have our Top (shudder) 48! Tune in next week for the theatrical battle rounds and tune in tomorrow for the start of my recapping of American Idol’s Live Top 25 rounds. SO MUCH SINGING!!!

h1

Thoughts on The Voice: Audition Round 4

February 20, 2012

Image from Mil on Flickr, used under Creative Commons

25 contestants picked, 23 to go! Will this be the last of the blind audition rounds.

Contestants’ Notes

-I wondered when I would hear a Black Keys song on a show like this. Ducky has the right kind of blues-rock swagger in his rendition of “Tighten Up.” He had a few vocal dips and dives in there as well. It’s too bad that he gets no turns (and the Sweeney Todd look isn’t helping either.) Keep at it, dude!

-Jonathas (wow, 2 one-named performers in a row!) does a pretty good Usher impression on “U Got It Bad.” His voice sounds just like him and he can do the power belting with no problem! He even does a few Ursh-inspired dance moves, which turned out to be a winning play. The coaches can’t see him, but the crowd can, and that burst of applause on his floor slides was just the right thing to get turns from Cee Lo and Christina. Both could be good fits for Jonathas, since they have treaded in R&B and dance pop, but ultimately Xtina is smoother and a better fit for that kind of style.

-I don’t go for midtempo rockers like “Mr. Know It All,” which is what Monique Benabou sings. She throws out lots vocal moves, especially the up and down runs, but for me it’s all show and little go. It’s enough to score a turn from Christina, but I won’t be rooting for her unless she does something more uptempo.

-When I first heard “The Lazy Song,” Bruno Mars was performing it on Idol. I recall that it sounded pleasant. Naia Kete kicks it out for audition and does a pretty good job of capturing its casual exuberance, in spite of her straining voice. Her hippie tip isn’t my bag, but she’ll fit well on Blake’s team. That folksy singer-songwriter thing reminds me of Dia Frampton at best or a more competent Xenia at worst. She ends up picking Blake and I predict that she’ll make it past the battle rounds.

-I give Erick Macek points for taking “Free Fallin’” in a slightly different direction, melody-wise. Unfortunately it feels way blander than the Tom Petty original. This is something your youth pastor busts out at a church retreat without being aware of the slightly druggy undertone in the song. To summarize, he brought no edge! See ya!

-When Charlotte Sometimes first hits the stage, she sounds so bland and mumbly she pulls a convincing Lana Del Rey impression. Eventually she picks herself up, but replaces the bluh-bluh-bluh mumbles with pitchy, snarly signing. I suppose you could tell that she was trying hard and I give her props for doing dynamic in that crummy song “Apologize,” (stupid Ryan Tedder) but I was shocked that she got four turns. Blake compared her to Xenia, which he meant as a compliment, but it’s more of an ominous sign to me. Will history repeat itself in a Naia vs. Charlotte rivalry on Team Blake?

-OK, Tony Vincent is off to a great start simply because he sang a Queen song and it wasn’t “Somebody To Love,” one of the most done-to-death audition pieces I have ever heard. Instead, he went the stadium route with “We Are The Champions.” His only problem was that his vocal reach exceeded his grasp and he couldn’t quite hit those Mercury highs. I hope that he will overcome his twitchiness and nerves and bring the pain on Team Cee Lo.

-Stop singing from your throat and start singing from your gut, Anthony Evans! Unless you’re singing The Bee Gees or Curtis Mayfield I need to hear at least a little low register from you. But if you’re doing “What’s Going On,” you have to fill the whole song, not just the high parts! It’s like Andy Samberg’s Shy Ronnie on the mic. Anthony did get a turn from Xtina, so maybe he’ll pick up a few tricks from her.

-Jamie Lono is a low-key, high-voiced guy with an acoustic guitar. Shit. Four notes into “Folsom Prison Blues,” he gets a turn from Adam, who probably needs a few more Javier Colon Clones on his team. However, Cee Lo wins him over. To his credit, Jamie kicks out more snarl and menace than last year’s winner ever did. He’s likable enough, but he’ll have to work really hard to avoid being just another chotch with a guitar.

-Dylan Chambers had some good opportunities to wow the coaches on the Mark Ronson/Amy Winehouse version of “Valerie,” but he was just too bleary and messy to really make an impression.

-Nathan Anderson sounded like he was mixed way too low. Project, dude!

-Luna Searles does Ethridge, which means immediate Beverly McClellan comparison. She’s no Beverly McClellan, so…adios!

-Adam Lasher lazily growls his way through Nickelback. How does he fare? As Jay-Z once rapped “So Poof! / Vamoose, sonofabitch!

-David Gray’s “Babylon” is a pretty neat song with its quiet-loud dynamic and shoutalong chorus. Justin Hopkins could have gone note-for-note, but he throws in a few little belting runs that might have come across as self-indulgent on a lesser performer. Justin’s moves make the piece feel more energetic in the live setting. Way to score the Cee Lo turn, dude!

-Nicolle Gaylon could stand to maybe tighten up her singing on “You Save Me,” but she still did pretty well. While I didn’t know the song, her performance reminded me of when someone does a slow-burning karaoke song really well. The end result is, for lack of a better word, human connection. If your nerves can fuck you up and you still come off as relatable, you are a good performer.

-Ashley De La Rosa got only a five-second clip, but she sang “Shark In The Water,” when it feels like maybe 500 people in America know who V. V.  Brown is. That takes guts! The few seconds the show featured sounded good, too. Christina gives a turn, so good for Ashley! I hope she doesn’t end up as cannon fodder during the battle rounds

-5-second clip victim Jordan Rager sounded like Scotty McCreery with the bass turned down. He had energy but he’ll be a human shield on Team Blake during the battle rounds.

-Karla Davis did “If I Die Young.” It sounded like your garden variety acoustic jam. She seemed ok, but she’ll be a human shield on Team Adam during the battle rounds.

-Alyx didn’t even get 5 seconds of show time for “Just Like A Pill” and Blake picked her. This show needs to work on its pacing.

-Eric Tipton kicks out “You Make My Dreams” and he sounds solid. His range isn’t as dynamic as some of the other contestants, nor is he packing the raw power that the other contestants have. He fails to earn any turns, and the coaches attribute it to sounding too close to the Hall and Oates original. I get where they are coming from.

-OK, we have another Adele performance, this time from Mathai. She takes on one of the livelier numbers from 21 – “Rumour Has It,” and she scores turns from Adam, Blake and Cee Lo. Adam gave it up 8 seconds in, before she turned on the power. To Mathai’s credit, she really conveyed both the righteous defiance and the playful vengeance in the song and nailed most of the runs too! You go, player!

And now a summary of tonight’s winners, in the order they were announced:
-Silky smooth R&B karaoke
-Lots of power, crummy music
-Hippie Dia Frampton
-Xenia Mk II, Now With More Lana Del Rey
-Rock Opera Man
-All Treble Gospel
-A Guitar Guy I Don’t Want To Yell At?
-Engaging Adult Contemporary
-Tell Me More About Piano Country….
-R&B Cannon Fodder With Good Music Taste
-Country Cannon Fodder
-Acoustic Cannon Fodder
-Pop Rock Cannon Fodder
-Fun Adele Impersonation!

And we have one more audition round to see 9 more picks! I can’t wait for this round to be over!

h1

Thoughts on The Voice: Audition Round 3

February 18, 2012

Image from Gwen Harlow on Flickr. Used under Creative Commons.

I apologize for the late posting. Thank heaven for Hulu. At the same time, I am itchy to start the real competition and get past this expanded audition round. It’s still less of a pain than Idol’s audition rounds, but the show would do well not to pad it out so much. Let’s lock this up!

Coaches’ Notes

-It’s interesting to see the coaches taking potshots at each other’s commercial success, track records on the show, and personal behaviors. I just like seeing these people in power come off their high horses and argue a little. It humanizes them. Props to Christina for telling Blake “fuck you.” By contrast, being an Idol judge seems like one of the cushiest in the world. All you need to succeed as a judge on that show is a catchphrase and a willingness to hit on underage contestants.

-Speaking of which, stop hitting on contestants, Cee Lo! It’s creepy when Steven Tyler does it and it’s icky when you do it as well. “You belong to me, don’t you agree?” What kind of pitch is that, Cee Lo?

Contestants’ Notes

-We open the show with no information on Sarah Golden. Her story is one of music industry conservatism – “we’ll sign you, but only if you completely change everything about yourself,” – and it’s one I can get behind (cry for The Muggs.) Unfortunately, she opens with a fairly anemic rendition of Lady Gaga’s “You and I.” She’s trying hard, but her voice is too thin and strained against the deceptively slow and rich backing track (the house band’s crummy rendition isn’t helping.) It’s a problem that can be fixed with voice coaching and better song choices, so it’s good that she gets turns from Cee Lo and Blake, who couldn’t be more different in terms of their appraoches to the show. She picks Cee Lo, who isn’t the best stylistic match for her, but is more likely to keep her past the favoritism-mined battle rounds than conservative ol’ Blake.

-Elley Duhe does well to sing Duffy’s “Mercy.” She sings kind of thinly with lots of yelping, which is actually a good match for the song. She has a good sense of the song’s space, knowing when to throw in the ad libs and when to try for vocal acrobatics. However she can’t quite execute yet, and her end product is unremarkable compared to some of the other auditioners, so she gets no turns. Eh, she’s 19. She has time to keep at it.

-“House of the Rising Sun” is one of those slow songs singers pick in order to show off vocal pyrotechnics. Mono-monikered Pip takes advantage of the sparse opener to show off a decent vibrato. His inner theater kid has the bluesy emotion in the song down pat, but it’s making him go off-key in the main part of the song. I don’t like rooting for the under-21 set, but I was impressed by his showmanship and willingness to really sell the performance (and lack of an instrument.) Too many reality competition singers are about control and technical execution. I just hope his theatrics won’t overshadow his singing a la Idol’s James Durbin. He gets four turns, and could do ok with Adam.

-There’s no argument that Erin Willett has the R&B blaster power. She does impressive runs all over “I Want You Back,” so much so that she forgets to sing some of the lyrics. However, if that’s her biggest problem, she’s going to be ok. I like the lively belters in the Frenchie Davis mold. I was surprised that she got only one turn, and from Blake no less. Also, Erin is from Gaithersburg, MD, and as a fellow Montgomery County resident I’m happy to see her represent.

-David Grace charges into red state rock territory with “Sweet Home Alabama,” which initially seems to be a good match for his swaggering twang, but is ultimately too dynamic for his held notes and ad libbed wailing. I hate to come across as too conservative, but I feel that if he dialed it back he might have earned a turn or two. It turned into one of those performances where the judges are trying to bait each other into turning their chairs, which is good for a little awkward comedy.

-Katrina Parker’s steady alto earns a turn from Adam early on, but he looks so ashamed when he does it, his head down in his arms like a high school student falling asleep in calculus class. Frankly Katrina’s performance failed to impress me. Her Joan Osborne song choice was a little interesting, but her singing style was a little too unpolished and green. She needed to turn up the fun.

-I dont like when competition show singers go to the Motown back catalog too early, but Geoff McBride is old enough that he could appreciate “Higher Ground” when it first came out. Geoff nails the song, doing what feels like a lower-key Stevie Wonder impression with holds and vibrato in all the right places. I also appreciated Geoff’s confidence – he sang with what seemed like an effortless perfection that comes with plying one’s craft. He sounded like a pro just doing his thing and having tons of fun with it. When a performance makes me want to go buy the song in Rock Band and play it myself, the singer did a damn good job! Hopefully Christina can channel his experience in the right direction.

-Erin Martin’s voice falls somewhere on the Macy Gray-Bjork spectrum of rasp. I give her points for staking out a relatively unique position among the other contestants and for trying something different. For “Hey There Delilah,” she’s fully aware of the emotion in the song and seems just enough in control to stay in key. My only problem was that she sang certain words with a weird accent or pronunciation that put me off. Ultimately her singing was engaging, but sloppy, another problem that coaching can fix. Cee Lo’s voice is kind of thin too, and he would do well to take her reedy voice to new heights. He just needs to keep things a little more professional and not view her as some prize he deserves. Not cool, dude!

-One hazard of doing more recent pop songs in shows like this is that the original versions rely on vocal processing to make their singers sound good. Drake’s “Find Your Love” is no exception. James Massone finds a way around the problem by singing so high in his tenor range he’s almost an alto. The house bands punchy rendition helps too. James starts out strongly enough to earn three turns before his emotion gets the better of him and he totally falls apart. If he’s to have a future on the show, he will have to learn to finish what he starts.

-Winter Rae sings Rihanna’s “Take A Bow,” which in my opinion is kind of a boring song to begin with. She hits all the right notes, but lacked a wow factor. I hate to say it, but in a sparse, plodding song like this she really needed to pull off the diva moves like an early-2000s Idol success. ZZZZZZZZZZZ….

-Chris Cauley kicks out a toned down bluesy rendition of Bruno Mars’s “Grenade.” He sounded pleasant and I give him props for taking a belty, violent song into a more restrained territory. Chris is competent at best, but I hope that he will continue to take done-to-death songs in different directions.

-Nathan Parrett’s clip goes by fast, and maybe that’s because they 5 seconds I heard sounded like Chris Isaak-lite: deep but a little scratchy, like the awkward teen on The Simpsons. It still earns him a pick from Adam.

-The same thing happens to Brian Fuente, who seemed to have enough raw rocker power in him to earn a turn from Blake. I can’t help but feeling that if the show focused less on some of the contestants’ backstories and more on singing, these guys would have come across better. I predict that they’ll end up as cannon fodder in the battle rounds.

-I was wondering when shows like this would seriously consider rappers as contestants. Christina picks Moses Stone, who does an off-beat, out of breath rendition of the Black Eyed Peas “Let’s Get It Started.” She makes a good point about his delivery, though, so maybe if he calms down a little he can combine delivery with flow to attack with Busta Rhymes-like precision. I give the show points for experimenting, but couldn’t they have found a better rapper?

-Jordis Unga does “Maybe I’m Amazed” and she sounds like she’s aiming for the cheap seats. I appreciate her enthusiasm, but I wish she would learn breath control. She came up short a little, but she pounded her way through another otherwise done-to-death song. She put some effort into the deal, and while she was bleaty I can hear her potential.

Let’s summarize today’s picks, in order of selection:
-Victim of conservatism and trying too hard
-A likeable theater kid?
-Another lively belter + MoCo represent!
-Not trying hard enough
-Soul power pro
-Reedy and raspy make a comeback
-Alto beats Autotune
-Originally bland
-Bass section cannon fodder
-Rock N Roll cannon fodder
-Finally, a rapper! or This is the best rapper they could come up with?
-So much Sound and Fury

Tune in next week for thoughts on…(looks at Voice site)…more auditions? Since each coach has picked only 6 or 7 contestants, we have a ways to go….

h1

Thoughts On American Idol Top 5: Elimination

May 5, 2011

Status Quo’s blue leather jacket was square in 1985. J.Lo’s cocaine sweater and shiny clown skort are all kinds of fashion fail. Steven Tyler looks like I would expect him to.

According to Seacrest, auditions for next season are still on, so this show isn’t going down despite looming threats from The Voice and the forthcoming X-Factor. Beat it into the ground, Fox, beat it into the ground.

There’s a group performance….

It’s “So Happy Together!”

Despite the number of voices, there’s no richness anywhere. Everyone’s singing off-key and over each other like a middle each assembly. And the bridge where they were all singing the backup part? That might have been planned but it sounded sloppy. Did they even practice? What a shit show!

Ford Music Video – “Be Yourself”

That was the worst CGI this side of an Asylum movie, and I’m proud to say I’ve seen both Mega Shark vs. Giant Octopus AND Sir Arthur Conan Doyle’s Sherlock Holmes.

American Idol vs. Hell’s Kitchen

The contestants have to cook omelets for Gordon Ramsay. Haley, James and Scotty fail (and fail spectacularly in Scotty’s case.) Lauren and Jacob succeed. I wish Gordon Ramsay was a judge.

Lady Antebellum – “Just A Kiss”

I have a problem with the name of this band. “Let’s name ourselves after an era when it was ok to own people!” Was Lady Reconstruction taken? This must be their crossover hit, because I don’t hear a lot of country here. The beats are ok and the contestants could take a lesson on how to harmonize from the dual lead singers, but the total package leaves something wanting. It fails to distinguish itself from the bajillion other ballads out there. Zzzzzzz….

Bing Commercial / Behind The Scenes

I hope that these contestants don’t pick their songs and outfits, lest what little faith I have in them dissipates like so much exhaust from my car. Also, Haley totally should cover “The Thong Song.”

American Idol vs. Hell’s Kitchen Part 2

Jacob and Lauren must do a blind taste test. Lauren wins 2:1 and Jacob spits up his tofu. What a wuss! Come on Ramsay, be a judge on Idol. You’d be so hot tempered and mean. And also British! If Fox has you doing this shit on TV, your shows can’t be doing that well….

Jennifer Lopez ft. Pitbull – “On The Floor”

No! No harem pants! Her sparkling WWE disco outfit would be cute if she was wearing normal pants. The music is super catchy and sounds like it would be fun to dance to. About halfway in the whole thing stops for a jarring dubstep breakdown, but then Pitbull comes in and saves the whole thing. Pitbull has a great sound to his voice and his playful, rapid fire flow was built for house music. As for J.Lo, she may not be singing live, but she did all that dancing and then did windsprints up those steps in heels. Performance is in the middle, but the song is super fun!

Bottom 2 (Announced after 5 silly-to-reasonable criticisms from Iovine, a few premature sound effect hits from a twitchy sound board operator, and the sad fact that Scotty has never been in the bottom 3)

  1. Lauren Alaina (I’m tired of her calculated antics! Go back to school!)
  2. Jacob Lusk (He had his chance to be interesting and all he could muster was awkward….)

Jacob is out! Early on I thought he had potential with his powerful voice, quirky attitude, and full power dandyism. Then he just sang a bunch of boring old R&B and gospel numbers. Even when he tried to do something kind of uptempo, he still came off as preachy and saccharine. He quickly wore out his welcome thanks to his terrible taste. Now he can go be the next Ruben Studdard and join the actual Ruben Studdard in the unemployment line.