Posts Tagged ‘Goldfrapp’

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Thoughts On American Idol: Top 13

March 7, 2012

Image edited from original by Mil on Flickr, used under Creative Commons

Theme: The men sing the songs of Stevie Wonder. The women sing the songs of Whitney Houston. We got gender policing and a death cash-in, baby! Bottom vote getter in each gender is up for elimination, which the judges decide. It kind of reminds of the elimination system on So You Think You Can Dance.

Mentors: The punchable Jimmy Iovine, and Mary J. Blige, who’s all right.

Here are the Top 13 performers in order of appearance on the show

1. Josh Ledet – “I Wish” Wikki wiki Wild Wild West! Gospel boy has to do something upbeat? This could be interesting. To his credit, he really gets into the material and his consistent belting matches the bombastic backing track nicely. And other people might ding him for this, but I appreciated his spastic dancing around the stage, particularly near the horn section. Also props for the James Brown/Axl Rose on-key screech finish. I wish Jacob Lusk was this upbeat last season. Nice start, dude!

2. Elise Testone – “I’m Your Baby Tonight” Alright, another upbeat song! This is actually one of my favorite Whitney songs and its brassy, sexy tone is a good fit for Elise. She flubs the lyrics early on, but quickly finds her footing. Her voice was smoky and gravelly, but her singing was on key and on point. I also give Elise points for really getting into the emotion of the song. The judges did have a point that she could have taken things down a notch, but I didn’t hate this performance.

3. Jermaine Jones – “Knocks Me Off My Feet” Vocally Jermaine is killing it up there. He stays in his range and manages to pull off a few nice runs and holds without overdoing things. What I think he could do better on is really connecting with the emotional vulnerability in the song. I want to feel the lovesickness in the piece and I wasn’t feeling it. Despite the slower tempo of the song, Jermaine also kept things upbeat like a really good (albeit showy) karaoke performance.

4. Erika Van Pelt – “I Believe In You and Me” DJ EVP turns the Whitney showcase song into a power ballad. She does well to bring the song into something she would do otherwise. Still, Erika takes a few risks by doing the traditional diva vocal progression of starting really quiet and singing almost contralto and gradually building to a series of vocal acrobatics. She nailed all of them too. I love that flawless execution! Despite the rock flourishes, I still wasn’t feeling the song choice that much. I also (shudder) agree with the judges in that she could have maybe gone a little bigger and taken some more risks. She has the talent to take these kids to school.

5. Colton Dixon – “Lately” Sigh, another slow song. And what the hell is up with the tone of Colton’s voice? He’s so slurred! He wants to be going for Rufus Wainwright but he could be any lite-grunge singer from around 2002 (I’m thinking the guy from Lifehouse), plus that falsetto was total ass. I can pick up maybe one word out of every 10 off-key, whiney sounds this clown admits. Heaven help us all if he gets to peddle this shit on the radio. What a fucking mess!

6. Shannon Magrane – “I Have Nothing” Shannon sounds thin and buried in this performance, even with the anemic 1991 backing music. Her articulation is only slightly better than Colton’s and emotionally she’s only slightly more engaged than a preteen beauty pageant contestant. Even with those strikes against her she could have nailed the big notes. She did not nail the big notes. Nerves or not, that performance was underwhelming and sloppy. She can go back to her mansion.

7. DeAndre Brackensick – “Master Blaster” Mr. Falsetto kicks things into full on reggae territory that makes me remember how much Naima Adedapo got robbed last season. Nice choice, man. DeAndre kept things fun and bouncy. He was casual but committed in his animated dancing. He also used a slightly wider range of his voice and didn’t cower in the high notes like last week. He was still a little flat, but damn that was fun to watch!

8. Skylar Laine – “Where Do Broken Hearts Go?” What, she’s not singing “I Will Always Love You” (since Dolly Parton did it first?) Wow, I’m surprised. Anyways, Skylar still does a predictably country rendition of the song and while it’s not my favorite I commend her for injecting just enough twang to be genuine. She also did all the big vocal tricks, was on key, and used enough of the stage to convey just a smidge of emotion. The escalating notes at the end felt forced, but Skylar was poised and professional, which not every teen contestant can say.

9. Heejun Han – “All Is Fair In Love” Another slow, plaintive song from Heejun? Wow, I’m not surprised. Poor Heejun just couldn’t project, even against the fairly sparse arrangement. He was so quiet that I couldn’t understand what he was trying to convey. The performance felt so stiff and awkward. I expect that in a shoegaze show, but not in what I assume is a fairly faithful Stevie Wonder cover. Dude needs to get some distortion effects pedals and meet the guys from Sigur Ros, stat!

10. Hollie Cavanagh – “All The Man That I Need” This performance was an improvement for Hollie. She stayed in control of her voice through the performance and had way better diction than last week. Still, a supersize hold, impressive at it is, doesn’t quite cut it for me. I still can’t buy someone Hollie’s age singing the kinds of themes that were in this song. If she messed with the song like Skylar did, I might be tempted to cut her more slack. This performance was technically awesome but lacking in originality.

11. Jeremy Rosado – “Ribbon In The Sky” Jeremy’s singing was kind of messy tonight. I’d like to think that he was trying to get into the meaning of the song, but I don’t know what this is about. It can’t literally be about ribbons in the sky, right? In terms of song choice this was a bit of a snoozer, just like Heejun’s. At least Jermaine put a little upbeat fun with his tenderness. The performance sounded ok, but I would steer clear of it otherwise. This felt boring.

12. Jessica Sanchez – “I Will Always Love You” Ah shit! We all knew this song was coming, but it still hurts when it arrives. All Jessica can hope to do is perform well within the boundaries of the piece. She hits all the notes with the flair of a performer thrice her age, though she has vibrato so pronounced it might as well be coming from a helicopter. I feel conflicted, because fuck this was predictable, but also fuck this gave me chills. You know what sold it for me? When she gave a slight smile about 2/3rds into the song in the middle of a note run. That’s when all the pretense and cash-ins and claptrap faded away. She was happy. She was in sync with all the cathartic emotion in the song. She was GENUINE, and that’s such a rare thing on a show like this. Dammit, I’m tearing up as I’m typing this and I’m embarrassed.

13. Phillip Phillips – “Superstition” This song is fun to do, just because its bassline is so fucking hot and upbeat nature courses through it. Phil turned it into some snarled grungy bag of crap. His singing was off-note and forced, his emotion was totally inappropriate, and his music arrangement was tonally clashing like an amateur mashup. Just shave your head already!

And what would I have sung? Since I’m a guy, I have to sing Stevie, so I would have gone to one of my two favorite songs by him: “Higher Ground” and “Signed, Sealed, Delivered, I’m Yours.” Both tunes are pretty upbeat and fun, but I have to consider my extremely limited range. I suppose “Higher Ground” has a more gradual build in the verses and the chorus sounds good without a lot of strain. As for the arrangement I’m thinking of a sleek, distorted electronic background (think Goldfrapp circa 2002) with punchy blues shuffle drumming (like The Black Keys.) If I actually wanted to stay on the show, I would play it safe and do the Red Hot Chili Peppers’ version.

My Top 3 Performers
1. Jessica Sanchez
2. Josh Ledet
3. DeAndre Brackensick

My Bottom 3 Performers
1. Colton Dixon
2. Shannon Magraine
3. Phillip Phillips

So tonight we had by my count five clunkers, three mehs, four solids, and one huge fucking surprise (still dealing with a few residual tears here.) Honestly this was a pretty decent show. I just hope the judges don’t let the new elimination decision power go to their heads and take out one of my favorites.

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Thoughts on The Voice: Audition Round 5

February 27, 2012

Image from &y at Flickr, used under Creative Commons

Alright people, I think the coaches have fewer than 10 picks to make, so hopefully they can wrap this up and we can get to the much more fun and very probably rigged battle rounds.

Contestants’ Notes

-Whitney Myer is giving off that Nikka Costa vibe, and it’s not because of just her curly red hair. It’s also that light, uptempo, janky R&B. She’s doing “No One,” which I think was originally by Alicia Keyes, and I quite light this bouncy rendition. She earns turns from all four coaches. Whitney goes with Adam, whose experience fusing pop-rock and R&B might help develop her overall brand with minimal genre clash. What a good start to the show!

-David Boreanaz lookalike David Dunn goes the lite-rock route on “The Man Who Can’t Be Moved.” When I heard the first few notes of this song, I thought this was going to be another jerk with an acoustic guitar, but I saw him with just a mic, which was a relief. David tried to make the bleh song lively with some walking around the stage, but he just didn’t have the emotion or charisma in his voice (and he just blew that falsetto section.) No turns for you!

-The Shields Brothers seem like some kind of rock n roll Coreys. At least their dual-tenor duet of “Dancing With Myself” is different than the usual schtick duo acts pull. Nonetheless, they have the same problem most of the duos on this show have – neither one of them is a very good singer individually. They skate by on their uptempo style and their harmonizing. They end up on Team Cee Lo.

-I must compliment Cheesa for taking on Beyonce, especially on the midtempo clunker “If I Were A Boy.” She starts off sounding way, way, way too low for her range at the start, but she pulls out the stops for the big, soaring chorus and knocks out most of the notes. I didn’t care for the performance because it felt like so much oversinging. Still, I respect her vocal prowess and she definitely has the charisma worthy of a Beyonce song. She gets a turn from Cee Lo.

-I think Preston Shannon could have used a sparser arrangement for “In The Midnight Hour.” singing was rough and solid, but it couldn’t quite stand out against the big, clean arrangement of the house band. While Preston seems to come from a blues background, he kept the soloing to the beginning and end. He was good on the axe, but it’s called The Voice, not The Guitarist. It’s too bad, and I hope this guy finds a good avenue for his art.

-OK, so the alliterative Lex Land lands two turns (Adam and Cee Lo) within the first 8 notes of the song, but damn she is undersinging the hell out “I Can’t Make You Love Me.” I heard serious mush mouth problems in her singing and the dulcet, plinky music didn’t help al all. Maybe if she did something with more menace and smokiness (Portishead, Goldfrapp, early-2000s Moby, etc.) she would have come across better. Then again I just want trip-hop to make a comeback. Eh, maybe Blake can help bring out her inner torch singer.

-Cameron Novack starts out strong, doing a weird Savage Garden-esque soft sell of Alanis Morissette’s “You Oughta Know.” Then he gets bogged down in the flow of the build up to the chorus (back off the freestyling, dude.) He then shifts to oversinging the chorus. Overall Cameron’s performance wasn’t too bad, but his abrupt shift in delivery style for each part of the song might have been too jarring. If he stuck to the restrained pop style or even charged in with aggressive oversinging I feel like he could have done better. Also, letting the coaches “cheat” and pick him after the turn would have set the worst precedent for the show, because then every hot contestant who walked up onstage would have a second shot, and that would be shitteous!

-At the start, Orlando Napier comes across as a low-key guy with a piano (which is still better than an acoustic guitar.) He got away from that once he got up from the piano, but he failed to win me over. The John Mayer song choice and Randy Newman singing style was a bad combination. Also…ENUNCIATE! Adam picks him has his final team member.

-Lee Koch has guts for taking on Bob Dylan’s “Like a Rolling Stone,” which karaoke connoisseur Brian Rafferty called one of the worst songs to sing since the verses are so rambling and weird against the familiar chorus. Lee is trying his best with the material and doesn’t flub any of the lines, but he just could not hit those “how does it FEEL” lines in the chorus. He earned a turn from Christina through his harmonica playing, which in my opinion is a bad sign. I don’t like when competitive singers use instruments as crutches. It feels like cheating. I predict that he’ll get eaten alive in the battle rounds.

-WADE (is the all-capitalization really necessary?) tries something kind of cool with a warm Stax-ed out soul rendition of “Rehab.” Vocally WADE (and that’s the last time I’m all-caps-ing that) has bursts of greatness, especially in the verses, though he hit some rough spots in the other parts. He just needs a little practice. Otherwise he’s a good combination of traditionalism and risk-taking. Cee Lo should be able to work his voice out, as Wade becomes his concluding pick.

-Adley Stump takes on Carrie Underwood’s “Last Name” (uh-oh) and it’s a bit of a wreck. She wasn’t bad, just mediocre. You could walk into any karaoke bar, and someone singing that song would sound just as good. Frankly the performance felt like so much mediocre singing except for those few belts (which I concede gave me chills.) She really couldn’t sustain her run and stick the landing. Predictably, she heads for Team Blake, and I think he’ll have more faith in her. Maybe he’ll coach her on fashion as well (go-go boots, star bandana, and Victoria Jackson hair?) She is the last pick of Team Blake.

We get a brief montage of failed singers (the Beta lady who sang Jason DeRulo sounded kind of interesting to me.) Also, Danny Devito sings “Three Times A Lady” during a Lorax crossover commercial skit. I was just wishing he’d sing “Troll Toll” from The Nightman Cometh. Then….

-Sera Hill pulls out every trick in the traditional R&B singer book – up and down runs, extended holds, power belting – and she kills every one. I thought her song choice was super slow and boring (and way too Idol) but damn she was good! She was a pro doing her thing, and that’s just wonderful. She becomes the final pick of the show as the last contestant to join team Xtina.

And now a summary of tonight’s winners, in the order they were announced:
-Mark Ronson should pay attention
-“I can’t tell Corey Feldman from Corey Haim.
-Charisma without the power
-Will Beth Gibbons come on as a mentor?
-Bad meets icky
-Karaoke cannon fodder
-Tradition meets risk
-A lot of people could do that
-She could have a good run on Idol

And there we have it! We have our Top (shudder) 48! Tune in next week for the theatrical battle rounds and tune in tomorrow for the start of my recapping of American Idol’s Live Top 25 rounds. SO MUCH SINGING!!!

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Internet Roundup

April 11, 2011

On Thought Catalog, Caroline Washington has a nuanced and hilarious rundown of 5 Artists You Should Never Listen To At Work. I’m fortunate enough to have a job where I can listen to music and while I have a somewhat different list (notably Andrew WK, DJ Shadow, Goldfrapp, M.I.A., and almost any band Mike Ladd was in); I totally see where Washington is coming from. If you can listen to music at work, are there any artists that you like but put you in a difficult state while you work?

Flashing back to the mid/late 90s, Fluxblog has a couple of old songs by the “emo before they was emo” alternative band Sebadoh. I first heard the band through a Sub Pop label sampler I got in the mail when I registered my Sega Saturn. I thought “Rebound” was pretty damn catchy, and singer Lou Barlow’s voice was low and kind of like “melodic talking,” so it was great for someone like me to sing along to. I was 13 when I received Sebadoh’s Harmacy album as a gift one holiday, and it was right at the time when I started having crushes on people. I had no idea what I was doing romantically and in time I built up this whole “obsessive tortured soul” persona. When I look back I realize I was totally acting like a “nice guy,” and not in a good way. Matthew Perpetua puts it best: “Their music is a catharsis for unflattering feelings — pettiness, jealousy, neediness, foolishness and passive aggression. These are valid feelings, but…ugh, you know?” I still love the music and I still have a good time singing along to Barlow’s thin bass of a voice, but there’s a distance now for me that’s come with experience.

Finally in Idol news, Andrew Unterberger at Popdust has a rundown of the aftermath of Pia Toscano’s elimination from the show last week. Surprise, surprise, she signed a record deal with Jimmy Iovine’s Interscope (though getting signed does not always mean getting paid). Also, the collective shock uttered from the Internet (including me), has executive producer Nigel Lythgoe talking about yet another format change to the show – this time with the bottom three elimination being decided by the judges a la So You Think You Can Dance, Lythgoe’s other show. This seems cool at first, but then I think about it: Randy would squash any interesting contestant, J. Lo would put the cute kids though, and Steven Tyler would be alternately a dirty old man and a pitch stickler (never mind Expert mode on Rock Band vocals would likely maul his ass).