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Retro Review: Breath From Another

August 15, 2010

Image from Amazon

Summary: Who knew trip-hop could rock? The Canadian singer/songwriter kicks off her recording career with an album that expands on the conventions of what chillout electronic music can sound like.

Fun Facts

  • Like Goldfrapp or Bon Jovi, Esthero is the name of both the singer and the band. Esthero sings, Doc plays the instruments, and both have production credits.
  • The band was a studio creation – Esthero and Doc wrote and performed the music on the album, but their partnership was engineered by Michael McCarty, then president of EMI Publishing Canada.
  • There’s a secret instrumental track (“Anywayz Pt. 2”) buried in the album about 5 minutes after “Swallow Me.”

Ups

  • Esthero’s smooth and smoky singing is beautiful but still has this warm quality to it. Her singing’s warmth makes it more approachable compared to that of Beth Gibbons of Portishead or Shara Nelson of Massive Attack.
  • Doc’s production sticks to the basic trip-hop conventions of hardcore hip-hop rhythm sections with jazz and worldbeat influences but expands on the genre through the frequent use of guitars in singles like “Heaven Sent” and “That Girl.”
  • The string sections are the album’s X-Factor and make the album stand out from other R&B and trip-hop records. They can make a song sound cinematic (“Heaven Sent”) or exotic (“Half A World Away”). The hook on “Country Livin’ (The World I Know)” makes me think of zipping around Monte Carlo in a sports car circa 1967.
  • There are just these other cool touches like the Deliverance sample that opens “Breath From Another”, the neat double-time shuffle drumline on “Lounge,” and how “Superheroes” uses effects processing to tweak an otherwise garden variety bassline into something spacey and dreamy.
  • The combination of the warm soul singing and classy, slightly edgy beats make for a very sexy total package. After the hip-hop of “Breath from Another” and the hard rock of “Heaven Sent,” the remainer of the record is straight-up makeout music.

Downs

  • The album runs out of steam towards the end. “Indigo Boy” plods along at too slow a pace, the sax on “Lounge” borders on Kenny G-esque smooth jazz, and the singing on “Superheroes” is a little flat. Luckily Esthero closes out the album with “Swallow Me” a Chick Corea-sampling electronic number that explains what drives her music – “Music was the lamb that made a lion out of me.”

Conclusion: This is another forgotten relic from the late-90s electronic music boom. Growing up near Detroit at the time, I first heard Esthero through 89X, the local alternative station which was based in Windsor (gotta love those Canadian content laws). I love this album because it’s warm, sexy, exotic, hard, and just a little weird. Unfortunately, this album isn’t available for digital download, but you can still track down copies through online resellers. If you like chillout electronic music, I would recommend checking this out.

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