Posts Tagged ‘Moses Stone’

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Thoughts on The Voice Top 24: Team Blake vs. Team Xtina Voting Results

April 3, 2012

Image edited from original by Mike Licht, Notionscapital.com via Flickr, used under Creative Commons

Last night’s Voice was underwhelming, so I’m interested to see who makes it through. Who deserves to be on the stage and who makes it through in spite of themselves?

Here is the guest musical performance:
– Gym Class Heroes ft. Neon Hitch – “Ass Back Home” This is pretty good. Travie McCoy and Neon Hitch carried their parts off fairly well (even if the song had a little pre-recorded vocal backing.) Otherwise the jam was lively and had a cool, solid quiet-loud dynamic.

Now for the vetted teams….

Team Blake
1. Erin Willett: First one in and first place from last night! Keep up the good work!

2. Jermaine Paul: Underwhelming turn on stage and can do so much better! I’m glad he gets another shot.

3. RaeLynn: What is the rest of this show’s audience hearing? She seems cloying and full of hot air.

4. Jordis Unga (Blake save): If Jordis has honed anything beyond her singing since her last reality show gig, it’s her politics. Way to play to Blake’s sensibilities (and thank you for knocking out Charlotte!)

Team Xtina
1. Jesse Campbell: Did anyone not see this coming? He’s a bit of a Javier Colon clone, but I can’t disrespect his success.

2. Lindsey Pavao: I applaud her risk taking, but she needs to execute better. Get up on that singing!

3. Chris Mann: Unless he makes livelier song choices, I guess I’ll get to take a 2-minute nap every Monday.

4. Ashley De La Rosa (Xtina save): This was a bit of a shocker for me. Ashley’s a little green, but if she can overcome her initial nerves she could kick proper ass.

The Losers
– Naia Kete: I wish she leaned on the roots reggae action earlier. Then her nerves wouldn’t have held her back vocally and sent her home.

- Charlotte Sometimes: She can’t be trying to mess with me every song choice she makes, can she? I’m not that special, but I’m happy I won’t have to find out.

- Moses Stone: The guy can’t quite balance his singing and rapping inclinations. I liked Moses’s run more as an idea than in actuality, since hopefully he’ll inspire more rappers to compete on this show.

- Sera Hill: Her talent was fairly conventional, but just because it’s trite doesn’t mean it isn’t true. She took most of the competition to school, so it’s a bit of a shame that she didn’t make it forward. Hopefully the show got her some good contacts.

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Thoughts on The Voice Top 24: Team Blake vs. Team Xtina

April 2, 2012

Image by hugovk via Flickr, used under Creative Commons

The gimmicks are done, the Top 24 contestants have been chosen, and at still feels like we’re quite a ways away from picking a winner. Now that we’re on the voting rounds, it’s time to see if The Voice can truly shine on a full season run or will it try my patience like its prime competitor does week after week. It all comes down to the performances.

For this week, contestants from Team Blake and Team Xtina will square off. Here is the first group of contestants in order of their appearance on the show.

1. Jermaine Paul (Team Blake) – “Living on a Prayer” Dual hi-rise percussionists, crazy light shows, and Jermaine coming up from a hole in the floor? Way to throw down the spectacle gauntlet, The Voice! That said, I wish the performance matched the spectacle. It’s not Jermaine’s fault. He tried his best under the circumstances and he stayed on key with the power belting and full use of the stage. His voice just wasn’t a fit for the big, full power rock anthem. “Living on a Prayer” works in part because it’s sung as a call-and-response song with lots of backup singers. It’s meant to be shouted as part of a crowd. Jermaine needed something uptempo but was just sparse enough to give his talent a chance to shine. I agree with Christina’s comment that this was just not the best song choice for Jermaine.

2. Chris Mann (Team Xtina) – “Bridge Over Troubled Water” If you thought that the last song was full of so much empty sound and fury, this should be right up your alley: super sparse piano and string arrangement, lots of vocal runs and vibrato, and slow as molasses. Chris sung ok though towards the end his vibrato had some choppy voop voop voop going on. He also had a little menace in his look, which was tonally inappropriate but probably the most engaging part of the performance. Overall Chris had a fair-to-good execution but the song didn’t go anywhere for me. Zzzzzz…….

3. RaeLynn (Team Blake) – “Wake Up Call” Now here’s a song that calls for some menace! Lauren Alaina Part II exuded the right amount of attitude that a violent, jilted lover should exhibit and she had the power stances down right! And then she started to sing. Oh no. RaeLynn’s voice was alternately anemic, off-key, and gravelly in all the wrong places. It didn’t help that she’s singing a song at least partially known for Adam Levine’s R&B/Rock chops. Skylar Laine could sing circles around this pretender.

4. Moses Stone (Team Xtina) – “Stronger” This was a bad situation to go into. “Stronger” works largely because of two things, of which this performance has neither: the blatant Daft Punk sample and the established brand of Kanye West. The song works because of who is sampled and who is rapping. It’s not that difficult a song to rap and the lyrical cadence is fairly plodding. Moses tried his best to inject some melody and volume into his rapping, but to me it felt overblown. His singing was a little off as well at the start, but at least he was taking a bit of a risk. He gets points for having a really energetic and emotive stage presence, though that may have put him out of breath shouting the words. As I said during the audition rounds, the rapping talent Moses has displayed is mediocre, but he’s a decent singer. If he could find a song where he could both sing well and sprinkle in rapping to set himself apart, he could clean up.

5. Naia Kete (Team Blake) – “Turning Tables” Naia’s mistake was doing what sounded like a fairly straightforward Adele cover. It makes the comparison between the original and performance that much more direct and going head to head with Adele is a dangerous game. Naia’s rendition was pretty good, though with every slight crack in her voice the lack of a good fit was clear. If she did put a more reggae spin on it like she alluded to in her preshow montage or even just went up onstage with her guitar she would have come across so much better! As such, I blame this performance’s failures on Blake. His decision to steer Naia away from her reggae hot zone shows his discomfort with musical diversity. As Kathy said during the performance, “It’s as if he thinks anything that isn’t mainstream pop, rock, or country is something less than, something to be boxed out, and that performers who specialize in a genre that isn’t one of those three is less of a performer and needs to be forcefully pushed outside their genre of choice.” Notice how he didn’t make RaeLynn do “Wake Up Call” in the style of Maroon 5? His limited music view is disappointing and infuriating.

6. Lindsey Pavao (Team Xtina) – “Somebody That I Used To Know” I really wanted this song to work. I really did. Lindsey’s musical outlook, while hardly unique, is still refreshing in competitive singing. Plus I kind of like this song and was looking forward to hearing the house band try to do dubstep (it wasn’t a total failure.) So I was disappointed when Lindsey failed to deliver the goods. Her voice was thin, cracking, and failed to rise above the punchy arrangement. Generally in dubstep the vocal styles that tend to work are “serious beacon of light who cuts through the ambience” (like Florence Welch or Elly Jackson of La Roux) or “swaggering asskicker who matches the violent drums” (like Robyn or Dev.) Lindsey’s singing was neither. Meanwhile there are all these Alice In Wonderland backup dancers writhing around like something big is going on. Frankly the whole thing reminded me of the time Katy Perry performed “E.T.” on Idol last season where she just walked around and crazy stuff happened around her. Too bad, so sad.

7. Jordis Unga (Team Blake) – “Alone” The Rock Star alumna does fairly well. She stayed in control through the quiet parts and turned on the power through the big chorus. She even tossed out a crazy super growl at the end and it felt mostly earned. The only things that worked against the performance were how low her vocal were in the mix and her super-trite “seemingly every classic rock-oriented female contestant sings this” song choice. Were “Barracuda” and “Magic Man” both taken?

8. Sera Hill (Team Xtina) – “Find Your Love” This song is a little dangerous since James made good work of it during his audition. Sera has no problem with it. She has a lot of great vocal moments, especially after the second verse and at the end, but like Jordis she knows when to back off and take it easy. She had a super charismatic stage presence, withstood the silly “Men In Black”-esque backup dancers, and seemed totally comfortable in her role. I love a confident professional.

9. Erin Willett (Team Blake) – “Living For The City” That was one of the best performances of the night! Even with a super punchy arrangement and a stage packed with people, Erin commanded that stage with her variety of vocal moves and killer projection abilities. So many of tonight’s contestants have sounded buried in the mix. Not Erin! She also really got into the music. From her expressions and slight gestures you could tell she was having a lot of fun. She really engaged me and I am happier for having seen her go to town on her opposition. You go, player!

10. Ashley De La Rosa (Team Xtina) – “Right Through You” Ashley gets off to a rough start, as she goes into the song with a bit of mush mouth, but she quickly finds her footing for the big, loud chorus. She displays attitude to rival that of RaeLynn, but also has the dreaded cannon. While she had lots of earned power in her performance, she did well to hold off the blast attack until the end. The abrupt jump from the lyrics to the belting felt a little forced, but otherwise hot damn she sounded good!

11. Charlotte Sometimes (Team Blake) – “Misery Business” Right. For me the appeal of Paramore’s “Misery Business” is that when it’s firing on all cylinders it feels like it’s about to go off the rails and careen into the stratosphere. It crackles with energy! Then Charlotte had to go and turn it into a bland old chump ballad. BO-RING! She also had to sing below her range, ending up like Lana Del Rey on SNL. Even when Charlotte didn’t sound bad, her performance felt forced and aggressively bland. Between this and “Apologize” I have no problem rooting against this contestant.

12. Jesse Campbell (Team Xtina) – “What A Wonderful World” Compared to many of the audition-fodder arrangements I hear of this song, this was actually pretty decent. I wouldn’t vote for this because it feels so damn safe, but I’ll concede Jesse did pretty well. Vocally he reminds me of a louder John Legend. His vocal build was quite steady and showed great control. The main thing to distract me from these qualities was his weird facial tics and hand gestures. The implicit message was “Can you believe I am up on this stage singing these words?” Again, it wasn’t bad. It was just weird.

My Top 3 Performers
1. Erin Willett
2. Sera Hill
3. Ashley De La Rosa

My Bottom 3 Performers
1. RaeLynn
2. Chris Mann
3. Charlotte Sometimes

I’m not gonna lie, Voice fans, this was a pretty disappointing night. A lot of contestants whom I was rooting for failed to perform to their potential (Jermaine, Moses, Lindsey.) Others just failed to sing (RaeLynn), failed to engage (Chris), or both (Charlotte.) The audio engineers weren’t helping much, either. Bottom line: it was very hard to pick a Top 3. See you for the results show!

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Thoughts on The Voice: Battle Rounds Part 4

March 27, 2012

Image edited from original by Mr. Fink’s Finest Photos via Flickr, used under Creative Commons

OK Voice fans, we are at part four and the hopeful conclusion of this round of battles. Once the show is done with this round it will have 24 contestants, which will still take a lot of time to get through. Will more battles follow or will another oddly effective gimmick take its place? Will the show make good on its promise of live shows next week? Sometimes I suspect this show keeps throwing in crazy gimmick rounds because it knows that as soon as the public voting starts, it’s basically Idol with a trimmed staff and more diverse contestant base. Anyways, let’s get this party started!

Extra Mentors:
Team Adam: Alanis Morissette and Robin Thicke
Team Blake: Kelly Clarkson and Miranda Lambert
Team Cee Lo: Babyface and Ne-Yo
Team Xtina: Jewel and Lionel Richie

Team Cee Lo: James Massone vs. Wade – “True Colors”
Dammit Cee Lo, stop trying to do these gimmick battles. “What’s Love Got To Do With It” sucked last week because neither contestant could really touch it. Poppy James and Stax-y Wade are both way too fun for this inspiration-bait song. Creighton Fraker crashed and burned when he did this on Idol and I don’t have high hopes for these two guys. They’re both so good otherwise. Wade sounds a little better in his practice session while James sounds a little too shrill, so I predict a Wade win. Nonetheless, if James wins he could go pretty far with his very current R&B sensibilities.
The little vamping is kind of off. Throughout the performance James sounds like he’s about to teeter off the cliff. Wade just can’t those high belty notes when this should totally be his thing. I think the big problem is that this song doesn’t really go anywhere. Neither singer can really build to something so they’re left running in place. Wade especially wants to build to something so bad and he ends up in a crazy mess. James didn’t take as many risks, so he comes off better.
Winner: James (Yay! While I was rooting for Wade, I respect where James is coming from and expect good things from him. Also, the UN needs to haul Cee Lo Green’s ass to The Hague, because once again he’s been committing war crimes in a battle.)

Team Adam: Nicolle Galyon vs. Mathai – “Love Song”
Ooh! Shouting song! I associate this song with a bunch of drunken spontaneous singalongs from my second year of grad school. That may not translate well to on-pitch performances. Nicolle can really work the human connection thing, while Mathai can punch through the tension with her belting. The winner will be upbeat to the point of just shy of obnoxiousness. The song has a very deep, warm quality too it and the sound of Nicole’s voice might fit better, so I predict a Nicolle win.
Mathai’s having better luck with her runs but as predicted Nicole sounds better when she’s straight up singing. I wish Nicolle brought out more power, especially at the end. I wish Mathai would pace herself so that her big sing-off was more earned. The whole thing hits the skids when they try to harmonize, for it’s about as welcome as Rick Santorum at a Scissor Sisters concert. Wow that was horrendous! It wasn’t enough to kill the performance on its own, but that endeavor as a whole was fair to disappointing.
Winner: Mathai (Meh! She rocked in her audition round but the more I hear her singing the more I fear her voice will combine with Erin Martin’s to break all the glass in the world. If she dials her intensity back she’ll be great!)

Team Xtina: Moses Stone vs. The Line – “Satisfaction”
Oh snap! It’s the battle of the leftovers. If Christina really wanted to do something to challenge both country and hip hop artists, she could have picked something by Big and Rich, Cowboy Troy, or even Everlast. I’m nervous about both artists, since The Line is a duo and gets an unfair advantage, while Moses is novel for a show like this but sounded sloppy in his audition. I’m rooting for Moses, but I predict a Line win since their built-in harmonies will fill out the big loud show that is this song.
You know it’s a good sign of a performance when I can’t bring myself to type anything until the song is done. This has the potential to be one of the best performances this episode. The song was arranged in such a way that both sides got to vamp a little and play to their strengths: The Line got to harmonize a bunch while Moses got a reworked verse and drum break that was conducive to some moderate speed rapping. To their credit, both sides took a few risks and succeeded. Moses actually sang pretty damn well and took Christina’s belting lessons to heart. Both Line members struck out to sing on their own and showed that as they deserve to be here as individual talents, not just as a duo. I was nervous about this one, but props to all performers and Christina Aguilera for a fabulous show!
Winner: Moses (Yay! Again, both sides were great but I’ll take the individual act over the duo anytime. I also want Moses to be the gateway act that gets other rappers interested in competing in reality competitions.)

Team Adam: Karla Davis vs. Orlando Napier – “Easy”
Adam did kind of a cool thing in the practice rounds by acknowledging that his original pick “Rich Girl” by Hall and Oates didn’t work for either singer. Rather than letting the performance go on and subjecting us all to a possible shitshow, Adam changed the song to this Commodores number. Neither singer really impressed me in the auditions. Orlando had slurred delivery while Karla got so little time she seemed like cannon fodder. Based on producer screen time allotment, I predict an Orlando win.
At the start of the performance Orlando dominates the track for better or worse. His singing is about as good as Nicole’s this round. The performance gets interesting when Karla gets her moment. Her singing tone is soft and idiosyncratic without being annoying. At her best I want her to cut a few soul singles with Jamie Lidell. Then she tries to hit the high notes and all hopes are dashed. Orlando is worse at straight-up singing, but his belts aren’t cringe-inducing. I hate to come off like Randy Jackson, but I think that if Karla took fewer vocal risks she would have come across better.
Winner: Karla (Yay! She had lower lows, but she shows way more promise than conventional ol’ Orlando. She needs to get a better feel for her range if she wants to make it out of the top 24.)

Team Blake: Jordan Rager vs. Naia Kete – “I’m Yours”
“I’m Yours” is probably one of my least favorite Jason Mraz songs. It’s so damn mellow. Nonetheless, the syncopated singing built into the song might make for a good round. As the practice clips imply, this battle is Naia’s to lose. The hippie vibe in the Mraz original fits perfectly with Naia’s acoustic guitar street performer aesthetic. Jordan could make the song if he could put in a little menace and twang on it, kind of like RaeLynn only earned. Alternately, he could go supertenor, channel his inner “jerk with an acoustic guitar,” and surprise everyone. Nonetheless, I predict a Naia win. She’s like Dia Frampton Part II, and Dia was the top vote getter on Blake’s team last season.
First, props to both Naia and Jordan for some really effective harmonizing! The singers really knew when to push forward and when to support each other. Jordan had a more commanding vocal performance in the verses, as his singing style is richer overall. Still, Naia’s no slouch and where she slips a little on the vocal tip she makes up for on the scatting bridge. When it comes to the reggae folk action, she’s a pro doing her thing.
Winner: Naia (Yay! I was rooting for her, but I concede that Jordan totally got robbed. He tried his best under the circumstances, but based on his 5-second audition package he was probably cannon fodder. Poor guy.)

Team Cee Lo: Tony Vincent vs. Justin Hopkins – “Faithfully”
This could be a great battle. Both Tony and Justin are great belters, and Journey is a great band to belt to, whether it’s a ballad like this or a chugging rocker. Justin has a warmer quality to his singing, so he might be better at connecting with the audience. Tony has stronger pipes can project like whoa, so he’ll win by wowing the crowd and putting them in awe. Justin has fewer obstacles to victory, as it will be easier to Tony to go off the rails into the imaginary chasm of shrillness, so I predict Justin will be the last contestant to make it into the Top 24.
This was the other performance that was so good I couldn’t type anything until both contestants were done. Tony delivered on his potential by wowing the crowd with his passionate singing right before the big arrangement kicked in. What’s more, he made an emotional connection. You see that pained look in his face? That’s love so hard it hurts. I was welling up. Then Justin came on and kicked it like a pro. You could feel the warmth and earnestness in his movements and his belting. He looked so happy to be there singing this song. Fuck…they’re both so damn good! Not since Jessica Sanchez annihilated my expectations covering Whitney Houston on Idol have I been reduced to tears like this.
Winner: Tony (Yay! Hot damn I can’t wait to see what this theater supervillain can do! I really hope Justin goes on to some great things because he needs to keep at it and share his talents! You just may have redeemed yourself for earlier tonight, Cee Lo.)

While this episode wasn’t as good overall as last week’s, it had two superb performances that really engrossed me. As far as team mixes go, here is my ranking, along with whom I’m rooting for on each team.
1. Team Xtina: Ashley, Chris, Lindsey, Moses
2. Team Blake: Erin, Jermaine, Jordis, Naia
3. Team Adam: Katrina, Kim, Pip, Karla
4. Team Cee Lo: Jamar, James, Tony

The battles are over! The voting rounds begin! I’m sure excited, if only because the solo performances might bring with them the Unintentionally Funny Backup Dancer Group. See you next week!

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Thoughts on The Voice: Audition Round 3

February 18, 2012

Image from Gwen Harlow on Flickr. Used under Creative Commons.

I apologize for the late posting. Thank heaven for Hulu. At the same time, I am itchy to start the real competition and get past this expanded audition round. It’s still less of a pain than Idol’s audition rounds, but the show would do well not to pad it out so much. Let’s lock this up!

Coaches’ Notes

-It’s interesting to see the coaches taking potshots at each other’s commercial success, track records on the show, and personal behaviors. I just like seeing these people in power come off their high horses and argue a little. It humanizes them. Props to Christina for telling Blake “fuck you.” By contrast, being an Idol judge seems like one of the cushiest in the world. All you need to succeed as a judge on that show is a catchphrase and a willingness to hit on underage contestants.

-Speaking of which, stop hitting on contestants, Cee Lo! It’s creepy when Steven Tyler does it and it’s icky when you do it as well. “You belong to me, don’t you agree?” What kind of pitch is that, Cee Lo?

Contestants’ Notes

-We open the show with no information on Sarah Golden. Her story is one of music industry conservatism – “we’ll sign you, but only if you completely change everything about yourself,” – and it’s one I can get behind (cry for The Muggs.) Unfortunately, she opens with a fairly anemic rendition of Lady Gaga’s “You and I.” She’s trying hard, but her voice is too thin and strained against the deceptively slow and rich backing track (the house band’s crummy rendition isn’t helping.) It’s a problem that can be fixed with voice coaching and better song choices, so it’s good that she gets turns from Cee Lo and Blake, who couldn’t be more different in terms of their appraoches to the show. She picks Cee Lo, who isn’t the best stylistic match for her, but is more likely to keep her past the favoritism-mined battle rounds than conservative ol’ Blake.

-Elley Duhe does well to sing Duffy’s “Mercy.” She sings kind of thinly with lots of yelping, which is actually a good match for the song. She has a good sense of the song’s space, knowing when to throw in the ad libs and when to try for vocal acrobatics. However she can’t quite execute yet, and her end product is unremarkable compared to some of the other auditioners, so she gets no turns. Eh, she’s 19. She has time to keep at it.

-“House of the Rising Sun” is one of those slow songs singers pick in order to show off vocal pyrotechnics. Mono-monikered Pip takes advantage of the sparse opener to show off a decent vibrato. His inner theater kid has the bluesy emotion in the song down pat, but it’s making him go off-key in the main part of the song. I don’t like rooting for the under-21 set, but I was impressed by his showmanship and willingness to really sell the performance (and lack of an instrument.) Too many reality competition singers are about control and technical execution. I just hope his theatrics won’t overshadow his singing a la Idol’s James Durbin. He gets four turns, and could do ok with Adam.

-There’s no argument that Erin Willett has the R&B blaster power. She does impressive runs all over “I Want You Back,” so much so that she forgets to sing some of the lyrics. However, if that’s her biggest problem, she’s going to be ok. I like the lively belters in the Frenchie Davis mold. I was surprised that she got only one turn, and from Blake no less. Also, Erin is from Gaithersburg, MD, and as a fellow Montgomery County resident I’m happy to see her represent.

-David Grace charges into red state rock territory with “Sweet Home Alabama,” which initially seems to be a good match for his swaggering twang, but is ultimately too dynamic for his held notes and ad libbed wailing. I hate to come across as too conservative, but I feel that if he dialed it back he might have earned a turn or two. It turned into one of those performances where the judges are trying to bait each other into turning their chairs, which is good for a little awkward comedy.

-Katrina Parker’s steady alto earns a turn from Adam early on, but he looks so ashamed when he does it, his head down in his arms like a high school student falling asleep in calculus class. Frankly Katrina’s performance failed to impress me. Her Joan Osborne song choice was a little interesting, but her singing style was a little too unpolished and green. She needed to turn up the fun.

-I dont like when competition show singers go to the Motown back catalog too early, but Geoff McBride is old enough that he could appreciate “Higher Ground” when it first came out. Geoff nails the song, doing what feels like a lower-key Stevie Wonder impression with holds and vibrato in all the right places. I also appreciated Geoff’s confidence – he sang with what seemed like an effortless perfection that comes with plying one’s craft. He sounded like a pro just doing his thing and having tons of fun with it. When a performance makes me want to go buy the song in Rock Band and play it myself, the singer did a damn good job! Hopefully Christina can channel his experience in the right direction.

-Erin Martin’s voice falls somewhere on the Macy Gray-Bjork spectrum of rasp. I give her points for staking out a relatively unique position among the other contestants and for trying something different. For “Hey There Delilah,” she’s fully aware of the emotion in the song and seems just enough in control to stay in key. My only problem was that she sang certain words with a weird accent or pronunciation that put me off. Ultimately her singing was engaging, but sloppy, another problem that coaching can fix. Cee Lo’s voice is kind of thin too, and he would do well to take her reedy voice to new heights. He just needs to keep things a little more professional and not view her as some prize he deserves. Not cool, dude!

-One hazard of doing more recent pop songs in shows like this is that the original versions rely on vocal processing to make their singers sound good. Drake’s “Find Your Love” is no exception. James Massone finds a way around the problem by singing so high in his tenor range he’s almost an alto. The house bands punchy rendition helps too. James starts out strongly enough to earn three turns before his emotion gets the better of him and he totally falls apart. If he’s to have a future on the show, he will have to learn to finish what he starts.

-Winter Rae sings Rihanna’s “Take A Bow,” which in my opinion is kind of a boring song to begin with. She hits all the right notes, but lacked a wow factor. I hate to say it, but in a sparse, plodding song like this she really needed to pull off the diva moves like an early-2000s Idol success. ZZZZZZZZZZZ….

-Chris Cauley kicks out a toned down bluesy rendition of Bruno Mars’s “Grenade.” He sounded pleasant and I give him props for taking a belty, violent song into a more restrained territory. Chris is competent at best, but I hope that he will continue to take done-to-death songs in different directions.

-Nathan Parrett’s clip goes by fast, and maybe that’s because they 5 seconds I heard sounded like Chris Isaak-lite: deep but a little scratchy, like the awkward teen on The Simpsons. It still earns him a pick from Adam.

-The same thing happens to Brian Fuente, who seemed to have enough raw rocker power in him to earn a turn from Blake. I can’t help but feeling that if the show focused less on some of the contestants’ backstories and more on singing, these guys would have come across better. I predict that they’ll end up as cannon fodder in the battle rounds.

-I was wondering when shows like this would seriously consider rappers as contestants. Christina picks Moses Stone, who does an off-beat, out of breath rendition of the Black Eyed Peas “Let’s Get It Started.” She makes a good point about his delivery, though, so maybe if he calms down a little he can combine delivery with flow to attack with Busta Rhymes-like precision. I give the show points for experimenting, but couldn’t they have found a better rapper?

-Jordis Unga does “Maybe I’m Amazed” and she sounds like she’s aiming for the cheap seats. I appreciate her enthusiasm, but I wish she would learn breath control. She came up short a little, but she pounded her way through another otherwise done-to-death song. She put some effort into the deal, and while she was bleaty I can hear her potential.

Let’s summarize today’s picks, in order of selection:
-Victim of conservatism and trying too hard
-A likeable theater kid?
-Another lively belter + MoCo represent!
-Not trying hard enough
-Soul power pro
-Reedy and raspy make a comeback
-Alto beats Autotune
-Originally bland
-Bass section cannon fodder
-Rock N Roll cannon fodder
-Finally, a rapper! or This is the best rapper they could come up with?
-So much Sound and Fury

Tune in next week for thoughts on…(looks at Voice site)…more auditions? Since each coach has picked only 6 or 7 contestants, we have a ways to go….

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